It took me four weeks and two days to finish “The Marriage Plot” by Jeffrey Eugenides and, frankly, it’s four weeks and two days I wish I could have back.
One of the reasons this book so thoroughly disappointed me was that I had very high hopes for it. I absolutely loved Eugenides’ two other works (“The Virgin Suicides” and “Middlesex”) and expected to equally adore his latest novel. It was not to be.
To start off, I don’t think Eugenides’ could have made more flat and unlikeable characters if he tried. Madeleine Hanna, the female protagonist entangled in a messy love triangle, is the stereotypical wealthy, Ivy League student whose Daddy takes care of everything. I feel as though Eugenides tried to make Madeleine more “real” by saddling her with various insecurities and flaws, but the end result was just a character that I had no desire to care for. An excellent article in The New York Observer describes this well: “The Virgin Suicides’s sisters, whose lives are described only through whatever glimpses the neighborhood narrators can discern, are richer, rounder characters than The Marriage Plot’s Madeleine, who is a bland figure of smooth surfaces. With Madeleine Hanna, what we see is what we get.”
The other characters aren’t much better. Mitchell is the rejected beau who turns to religious experience in an attempt to “find himself” and forget about Madeleine. Leonard, the troubled West coast boy Madeleine falls in love with, is so pathetic it actually causes one to feel quite badly for him. Even though I wasn’t fond of any of these characters, Leonard was the most developed and relatable one in the bunch. Considering he’s a manic-depressive, that’s saying something!
Before I continue onto the last aspect of “The Marriage Plot” that bothered me, let me first put something out there. As far as literature is concerned, I do not always need the conventional happy ending. For some books, yes, a happy ending is expected. Others, I like to be surprised. But no matter what, the ending has to be consistent with the entirety of the book. That’s my rule. I did not like the ending of “The Marriage Plot,” my reasons for this being: a) it did not resolve ANY of the loose ends in the novel and b) I feel as though it was only trying to make a point and nothing else.
Let me explain. The irony of the title has to do with the typical “marriage plot” that makes its appearance in most Regency/Victorian novels (think Austen or the Brontes). Holding true to its title, a marriage plot does occur in Eugenides’ novel, but not in the way most readers would think. The thing that bothered me about the way Eugenides completed “The Marriage Plot” is that I felt as though he was poking fun at all of the classic novels that I hold so dear. Of course, I realize that most of them end somewhat unrealistically. But I would rather have that than a disappointing ending that holds no hope for its characters or their futures.
Now that my rant is over, I would love to hear your feedback. Am I being overly dramatic (which I tend to do)? Or am I right in saying that we escape into novels for a reason?! If you read this entire blog and even go so far as to comment, I feel like you deserve a cookie. Or something. Maybe if you post your favorite baked good, I can make something happen… Now let me know what you think!






